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Detail Of A Twelve Labours Roman Mosaic From Llíria, Spain (3rd Cent. Hercules Stealing The Golden Apples From The Garden Of The Hesperides. In Some Variations, Heracles, Either At The Start Or At The End Of His Task, Meets Antaeus, Who Was Invincible As Long As He Touched His Mother, Gaia, The Earth Goddess.Īntaeus Was Killed (The Process Of Illumination Requires The Ability To Get Out Of The Body Into The Higher Chakras, The Same Path We Take When We Die, But Without The Advantage Of Being Able To Come Back Along The Silver Chord) Antaeus Was Killed By Suspending Him In A Tree – See The Myth Of Odin In Axis Mundi Where Odin Spent 9 Nights Supended In The Axix Mundi Tree Above The Crown Chakra In Order To Become Illuminated And Gain Psychic Vision – Make All His Sight One In The Third Eye. Heracles First Caught Nereus, The Shape-shifting Sea God, To Learn Where The Garden Of The Hesperides Was Located. The First Of These Was To Steal The Apples From The Garden Of The Hersperides. In Order To Make Ten Out Of The Twelve Labours Of Heracles (Also Known As The Twelve Labours Of Hercules), And Thus Destroy The Essence Of The Ilumination Myth Path, It Was Suggested That Eurystheus Discounted Those Where Heracles Was Aided Or Paid, And So Two Additional Labours Were Given. Hercules Was Unique Among Greek Heroes In That No Tomb Of Hercules Was Ever Localized, And The Olympian Sacrifices And Chthonic Libations Were Offered Simultaneously To Him Everywhere. The Last Three Labours (10-12) Of Heracles Are Generally Considered Metaphors About Death Or Illumination. Walter Burkert Has Called The Labours And Other Myths Of Hercules “A Conglomerate Of Popular Tales Which Was Exploited Only Secondarily By The High Art Of Poetry”, And It Was Not Until The Fifth Century That Poets Of The Classic Age Could Draw The Myth Into “A Tragic, Heroic, And Human Atmosphere And Away From Its Natural Thrust Outwards To A Carefree Realm Beyond The Human” (Burkert 1985:208).Īs Philosophical, Moral, And Eventually Allegorical Overlays Came To Be Applied To Hercules Death-cheating Superhuman Exploits, Behind Their Outer, Literal Meaning, The Hercules Figure Came To Represent An Inner Mystical Tradition, And Thus The Labours Could Be Interpreted In Terms Of The Spiritual Path. Hercules Destroyed The Heads Of The Hydra With Sacred Kundalini Fire – The Energy Enhancement Meditation And The Seven Step Process For The Removal Of Energy Blockages. The Hydra Of Lerna Had Heads Which When Cut Sprouted Three More, Was Killed By Hercules As The Second Of His Twelve Labours And Refers To The Rubbish Unnecessary Thoughtforms Of The Mind Created By Trauma Formed Energy Blockages. In Greek Mythology, The Lernaean Hydra (Greek: Λερναία Ὕδρα) Was An Ancient Nameless Serpent-like Chthonic Water Beast That Possessed Numerous Heads- The Poets Mention More Heads Than The Vase-painters Could Paint- And Poisonous Breath (Hyginus, 30). The 16th-century German Illustrator Has Been Influenced By The Beast Of Revelation In His Depiction Of The Hydra. Not Trusting Them, Hera Also Placed In The Garden A Never-sleeping, Hundred-headed, Dragon, Named Ladon, See The Lenean Hydra – This Is The Same Beast As Ladon – As An Additional Safeguard. The 3 Lady Hesperides Were Given The Task Of Tending To The Grove, But Occasionally Plucked From It Themselves. The Apples Were Planted From The Fruited Branches That Gaia The Earth Goddess Gave To Her As A Wedding Gift When Hera Accepted Zeus. The Garden Of The Hesperides Is Hera’s Orchard In The West, Where Either A Single Tree Or A Grove Of Illumination – Immortality-giving Golden Apples Grew. The Garden Of The Hesperides By Frederick, Lord Leighton, 1892 The Garden Of The Hesperides By Frederick, Lord Leighton, 1892. Vitriol Springs From Atlas, Who Holds Up The Earth. The Energy Enhancement Carmina Burana Sacred Dance Cover Comes From Botticelli’s Primavera Which Has Hercules On The Left Reaching Out For The Apples Of The Hesperides – The Higher Chakras Above The Head, Along The Antahkarana. These Symbolise The Soul Wisdom Chakras Above The Head

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